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Information about Latino Literature
 
  November, 2005.
1. About the Database - a description of the contents of the database and its purpose.
2. Editorial Policy - how the materials were selected for inclusion.
3. Acknowledgements - charter customers and individuals who contributed.
4. How to Contribute Materials or Comments - how to contribute materials.
5. Notes on the Current Release - notes on this version.
6. Errata - known typographical and software errors to be fixed next release.
7. Software Requirements - notes on which browsers are supported.
8. Technical Support - whom to contact for technical support.
9. Subscription and Free Trial Information - how to get a subscription or a trial.
10. License Agreement - licensing terms and conditions.
11. Copyright Statement - copyright terms and conditions.
12. Archiving - how this material is preserved for the future.
13. Cataloging Records - what kind of MARC records will be available for this collection.
14. Copyright and Performance Permission Statement - copyright terms and conditions.

1.  About the Database

Latino Literature is the most comprehensive collection of Latino Literature yet created. When complete it will include 100,000 pages of fiction and poetry and 450 plays, so representing the Chicano culture and all the different ethnicities of Latin American writers with a Hispanic background working in the United States.

Although the collection includes materials from the Nineteenth Century, the vast majority of the materials are from the Chicano Renaissance to the present. They've been painstakingly licensed from estates, authors, and archives. We present them in their original language, English or Spanish. In cases where authors produced more different language versions of their work, both are included. About 30% of the database is previously unpublished or rare materials from various sources including institutions such as the Centro de Estudios Puertorriquenos at Hunter College, scholars’ personal archives and the authors themselves.

The three major groups are represented, Chicanos, Puerto Rican and Cubans, as well as Argentineans, Dominicans, and other Central and South Americans. Through their literature they represent their different immigration experiences, their efforts to adapt to a new culture and new language without losing their own, while they pursue social, political and economic advancement.

To illustrate and to give additional information about the works, we are gathering resources such as playbills and performance material, poetry readings and book presentation flyers, book covers, pictures, etc. All this material is also indexed and linked to the texts.

This release of the database represents approximately 80% of its final size. Over the next six months it will be complete becoming a unique tool for researchers in many different fields such as literature, immigration, social and labor studies, etc.

I'd like to thank the editorial advisors, especially Jorge Huerta, who became a dear friend. I also want to acknowledge all the authors who have been as excited as I am about this project, and everybody that generously put time and effort in the creation of Latino Literature. It's been a great personal pleasure to work with you all.

Isabel Lacerda
Editor, Latino Literature

 

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2.   Editorial Policy

We consulted many critical works to create this collection, including the following bibliographies:

  • Dictionary of Literary Biography: Chicano Literature, first series, Francisco A. Lomeli, Carl R. Shirley and Mary Bruccoli. Gale Group, 1989.
  • Dictionary of Literary Biography: Chicano Literature, second series, Francisco A. Lomeli and Carl R. Shirley. Gale Group, 1992.
  • Dictionary of Literary Biography: Chicano Literature, third series, Francisco A. Lomeli and Carl R. Shirley. Gale Group, 1999.
  • U.S. Latino literature: an essay and annotated bibliography, Marc Zimmerman. Chicago: MARCH/Abrazo Press, 1992.
  • Latinos in English: a selected bibliography of Latino fiction writers of the United States, Harold Augenbraum, Hilda Mundo-Lopez, Ilan Stavans, Terry Quinn. New York: Mercantile Library of New York, 1992.
  • A Current Bibliography of Chicano Literature: Creative and Critical Writings Through 1984, Roberto G. Trujillo and Andres Rodriguez. Stanford: Stanford University Libraries, 1984.
  • Chicano perspectives in literature: a critical and annotated bibliography, Francisco A. Lomelí and Donaldo W. Urioste. Albuquerque: Pajarito Publications, 1976.

A scholarly editorial board assisted in the selection of the content:

  Jorge A. Huerta, Professor of Theater at the University of California, San Diego, is a leading authority on contemporary Chicano and US Latino Theatre as well as a professional director. He has published a number of articles; written and produced to plays; edited three anthologies of plays; and published two landmark books: Chicano Theatre: Themes and Forms (Bilingual Press, 1982) and Chicano Drama: Performance, Society, and Myth (Cambridge 2000). He is a founding member of TENAZ, Teatro Nacional de Aztlan, he the founder of Teatro de la Esperanza, one of the first major Chicano theatres. Dr. Huerta has lectured and conducted workshops on Chicano theatre throughout the United States, Latin America and Western Europe. He directed more than 60 plays for professional and university theatres. He was the first Chicano to earn a Ph.D. in Theater, 1974, from University of California Santa Barbara.
     
  Virgil Suarez, Professor of creative writing at Florida State University, is the author of four novels, three collections of poetry, and one collection of short fiction. He also edited two landmark anthologies of Latino literature: Iguana Dreams (1992) and Little Havana Blues (1996). A noted poet, his work has been included in hundreds of magazines, journals, and anthologies. He was born in Havana, Cuba, in 1962 and moved to the United States in 1974. He holds degrees from California State University - Long Beach and Louisiana State University.
     
  Judith Ortiz Cofer is the Franklin Professor of English at the University of Georgia. She is the 1998 recipient of the Christ-Janner Award in Creative Research from the University of Georgia. The Rockefeller Foundation awarded her a residency at the Bellagio, Italy Conference Center in 1999. During spring 2001, she was Vanderbilt University’s Gertrude and Harold S. Vanderbilt Visiting Writer in Residence. Judith Ortiz Cofer has written extensively on the experience of being a Puerto Rican in the United States. She is the author of Woman in Front of the Sun: On Becoming a Writer (a collection of essays), The Line of the Sun (a novel), and several other titles, which have been honored with awards including the first Pura Belpre Award, cosponsored by REFORMA and the Association for Library Services to Children.
     
    Yolanda Retter Vargas (PhD, University of New Mexico) is the Chicano Studies Librarian at UCLA, where she manages a bilingual special collection focusing on the history and culture of Chicanos and Mexico. Dr. Retter has vast experience in Information Management and collection development. Her fields of expertise are history, biography, psychology, women's studies, ethnic studies and lesbian/gay studies. She has also created and maintains several web pages including “The Lesbian History Project.” Her publications include several books and numerous articles in the field of lesbian history in the United States. She is a co-editor of Gay and Lesbian Rights in the United States: A Documentary History (Greenwood Press, 2003).

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3.   Acknowledgements

I'd like to thank the many individuals who have assisted us in the creation of the database.   In addition to the help of the editorial board many individuals gave wonderful advice.  In particular I'd like to acknowledge:

Nelida Perez

Centro de Estudios Puertorriquenos, Hunter College, CUNY

Pedro Juan Hernandez Centro de Estudios Puertorriquenos, Hunter College, CUNY
Pedro Monge-Rafuls Ollantay Theater Magazine, NY
Ashley Lucas University of California, San Diego, Department of Theater and Dance

Mark Olsen

University of Chicago, ARTFL Project

Charles Cooney University of Chicago, ARTFL Project

And the following people from Alexander Street Press:

Jeff Bagato

Indexing

John Cicero

Software development

Graham Dimmock

Software development

Laura Gosling

Data Processing

Danielle Hatfield Indexing
Athena Jackson Indexing
Pat Lawry Production
Milena Pooter Indexing
Will Whalen Licensing

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4.   How to Contribute Materials or Comments

Our goal is to create a unique archive of fiction, poetry and plays according to the editorial criteria expressed above. We welcome contributions from organizations and individuals, especially if you have materials that are unpublished or of unique interest. Submitting materials to our editors is easy and without obligation on your part. If you have collections of substantial value, we may be able to pay you a royalty in return for the rights to use them.

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5.   Notes on Current Release

This release includes 380 plays and 67,500 pages of prose and poetry.

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6.   Errata

It is our goal to have no errors in this database. Below are known errors in this release of the database which will be rectified in the next release.

  • The title of Erasmo Vando's short fiction work "Haz Bien" should be "Haz Biem."


  • Update on biographical details for Fernando Alegria, died October 29, 2005 in Walnut Creek, California. He was 87.

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7.   Software Requirements

Latino Literature is optimized to operate with Netscape Navigator Version 1.2 or higher or Microsoft Explorer 7.0 or higher.  

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8.   Technical Support

You can contact us by:

When reporting a problem please include your customer name, e-mail address, phone number, domain name or IP address and that of your web proxy server if used.

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9.   Subscription and Free Trial Information

Latino Literature is available for one-time purchase of perpetual access, or as an annual subscription. Please contact us at sales@alexanderstreet.com if you wish to begin a subscription or to request a free 30-day trial

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10.   License Agreement

1. THE PARTIES: "Customer" means the person(s) and/or organization that have ordered or are taking a trial of the Product(s) as listed in Appendix A. The location listed in Appendix A is the "Site." "ASP" means Alexander Street Press, LLC, whose registered offices are situated at 3212 Duke Street, Alexandria, Virginia 22314. "IP" means the owners of copyright in the original materials that form part of the Product(s).

2. USER LICENSE: This Agreement constitutes a non-exclusive, non-transferable license to use the Product(s) listed in Appendix B. The Product(s) include(s) the data, any accompanying search and retrieval software, the documentation, and any accompanying tapes or disks.

3. AUTHORIZED USE: Subject to the restrictions contained in Article 5 below, the Customer is hereby granted a non-exclusive license to use the Product(s) in way that is consistent with U.S. Fair Use Provisions and international law, and to make limited numbers of hard or electronic copies for research, education, or other non-commercial use only; for more extended use, the Customer must obtain prior consent in writing from ASP or the relevant IP.

The Customer's rights are limited to itself alone and do not extend to subsidiary or parent corporations, or to any other related or affiliated organizations. Any rights not expressly granted in this license are reserved to ASP.

4. RESTRICTIONS: The Customer may not decompile or reverse engineer the Product(s); modify or create a derivative work; remove, obscure, or modify copyright notices; sell, distribute or commercially exploit the Product(s); or transfer, assign or sublicense this license.

5. AUTHORIZED USERS: Authorized Users are the Customer's currently enrolled full- or part-time students, employees, faculty, staff, affiliated researchers, distance learners, visiting scholars, and walk-in patrons who are physically present at the Site. The Product(s) may be used by the licensed number of simultaneous users for which the Customer has paid.

6. DELIVERY / ACCESS: The Product(s) will be stored at one or more locations in digital form. If the Customer has paid for an annual Web subscription, Authorized Users will be granted access to these location(s). If the Customer has purchased perpetual access to the Product(s), ASP will provide the Customer with the data contained in the Product(s) on a CD-ROM or magnetic tape, which the Customer can either archive or load onto a local server to be accessed by the Customer's search and retrieval software.

7. CUSTOMER SUPPORT: ASP will offer reasonable levels of continuing support via email, phone or fax, during normal business hours, for feedback, problem-solving, or general questions. Any technical assistance that ASP may provide to the Customer is provided at the sole risk of the Customer. The Customer shall name one (1) technical support staff person (listed in Appendix A).

8. PRICING AND TERM: The price of the Product(s) and term of use are specified in a separate agreement letter and may be renegotiated periodically. ASP will provide web access at the start of the term for which the Customer has paid the initial subscription fee. The term will be extended to all periods for which the Customer has paid. In the event that ASP and the Customer mutually agree to an updated version of this Agreement, the updated version shall replace this version. ASP reserves the right to cease offering the Customer the opportunity to renew a subscription.

9. PRODUCT UPDATES: The Customer will receive updates to the Product(s) for which the appropriate fee has been paid. If the Customer fails to comply with any of its responsibilities under this Agreement, the Customer may be denied any and all future updates, without precluding ASP from seeking any other remedies

10. PERFORMANCE: ASP will use reasonable efforts to ensure that its servers have sufficient capacity and rate of connectivity to provide the Customer with a quality of service comparable to current standards in the online information provision industry in the Customer's locale. ASP will use reasonable efforts to provide continuous service with an average of 28 days of up-time per month. Scheduled down-time will be performed at low-usage times.

11. LIMITATION OF WARRANTIES AND LIABILITY: ASP warrants that any tape or disk licensed hereunder is free from defects in materials and workmanship under normal use. ASP will replace defective tapes and disks free of charge upon their return to ASP. This will be ASP's and the IP's entire liability with respect to this license. ASP and the IPs warrant and represent that they have the right to enter into this Agreement and to deliver the Product(s) "as is."

These warranties are in lieu of any and all other warranties, written or oral, express or implied, including without limitation, warranties of merchantability of fitness for a particular purpose, all of which ASP disclaims. In no event will ASP be liable for more than the license fee paid (whether such liability arises from breach of warranty, breach of this contract or otherwise, and whether in contract or in tort, including negligence and strict liability).

12. TERMINATION: If the Customer breaches any term of this Agreement, ASP may, in addition to its other legal rights and remedies, terminate this license on 7 days written notice to Customer, if Customer has not remedied the breach within the 7 days. Upon any termination, the Customer will forthwith return to ASP the Product(s) and all copies thereof, and will erase all electronic storage of copies of the Product(s). Any termination, whether or not pursuant to this Article 13, will not affect any obligation or liability of a party arising prior to termination, and the provisions of Articles 12 will survive any termination.

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14. APPLICABLE LAW: This Agreement will be governed by and construed in accordance with the laws of Virginia without giving effect to the principles of conflict of laws thereof, and to the extent permitted by applicable law, the Customer consents to the jurisdiction of courts situated in Virginia in any action arising under this Agreement.

15. DISPUTE RESOLUTION: If any differences arise between the Customer and ASP relating to the meaning of this Agreement, the parties agree to resolve such differences through Arbitration or by any other means to which the two parties may agree.

16. INDEMNIFICATION: Each party shall indemnify and hold the other harmless for any losses, claims, damages, awards, penalties, or injuries incurred by any third party, including reasonable attorney's fees, which arise from any alleged breach of such indemnifying party's representations and warranties made under this Agreement, provided that the indemnifying party is promptly notified of any such claims. This indemnity shall survive the termination of this Agreement.

17. ENTIRE UNDERSTANDING: This Agreement constitutes the entire understanding of the parties and supercedes all prior communications, understandings and agreements relating to the subject matter hereof, whether oral or written.

18. AMENDMENT: No modification or claimed waiver of any provision of this Agreement shall be valid except by written amendment signed by authorized representatives of the Customer and ASP.

19. ENFORCEABILITY BY IP: The IP retains its rights to enforce its trademarks, copyrights, patents, trade secrets and other rights against any violation thereof.

20. SEVERABILITY: If a term or condition of this Agreement is invalid or unenforceable, the remaining terms and conditions hereof shall remain in full force and effect and shall be enforceable to the maximum extent permitted by law.

Appendix A

  • The Customer is XXXX
  • The Site is XXXXX
  • Authorized Users are the Customer's currently enrolled full-time or part-time students, employees, faculty, staff, affiliated researchers, distance learners, visiting scholars, and walk-in patrons who are physically present at the Site.
  • Nominated technical support staff is XXXXX

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11.   Copyright

All materials in the database are protected under U.S. and International Copyright Law. Fair use under the law permits reproduction of single copies for personal research and private use. Further transmission, reproduction, or presentation of protected items requires the written permission of the copyright owners.

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12.   Archiving

Texts produced for Latino Literature are considered research materials and receive the same level of stewardship as books, paper documents, and photographs. Once complete, copies of the database will be given to all purchasing institutions, so ensuring that the materials are available to subsequent generations.

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13.   Cataloging Records

MARC records are available for this collection. Please ask you customer service representative for details

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14.   Copyright and Performance Rights

Professionals and amateurs are hereby warned that plays and materials in this database are fully protected under the copyright laws of the United States of America, and all other countries covered by the International Copyright Union (including the British Commonwealth and Canada), and of all countries covered by the Pan-American Copyright Convention, and the Universal Copyright Convention, and of all countries with which the United States has reciprocal copyright relations.  All rights, including but not limited to professional, amateur, motion pictures, recitation, lecturing, public reading, radio broadcasting, television, video or sound taping, all other forms of mechanical or electronic reproduction, including information storage and retrieval systems and photocopying, and the rights of translation into foreign languages, are strictly reserved.

Plays from this collection may not be performed without securing permission from the appropriate copyright holders, as listed in the bibliographic display for each play.  Particular emphasis is laid upon the question of readings, permission for which must be secured in writing.  All production rights reserved.  Under no circumstances may any electronic form (CD-ROM, online, or other local storage medium) be used to create production copies of the play. 

Specific performance rights information for each play can be found in the bibliographic detail display for that play.  Alexander Street Press makes no guarantee that this information is correct.  For plays where no performance rights information is listed Alexander Street Press does not warrant that no performance rights exist. 

We are eager to hear from any rights owners who are not properly identified so that appropriate information may be provided in the future. Please e-mail the editor at the address below.

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