| Release 7 | |
| 1. | About the Database - a description of the contents of the database and its purpose. |
| 2. | Editorial Criteria - detailed criteria used in selecting materials. |
| 3. | Release Notes - discussion of current and future releases. |
| 4. | Errata - known typographical and software errors to be fixed next release. |
| 5. | Acknowledgements - thanks to our partners! |
| 6. | The Writers Guild Foundation - a note about their role in the project. |
| 7. | Software Requirements - notes on which browsers are supported. |
| 8. | Technical Support - whom to contact for technical support. |
| 9. | Subscription and Free Trial Information - how to get a subscription or a trial. |
| 10. | License Agreement - licensing terms and conditions. |
| 11. | How to Contribute Materials or Comments - how to contribute materials. |
| 12. | Copyright and Performance Permission Statement - copyright terms and conditions. |
| 13. | Archiving - how this material is preserved for the future. |
| 14. | Cataloging Records - what kind of MARC records will be available for this collection. |
| 2. Editorial
Criteria
The scripts within AFSO have been chosen by the following criteria:
Such criteria are inevitably subjective, so to assist us in making selections we rely on the advice of our editorial board which includes:
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| 3. Release
Notes
This final release contains 1009 scripts by 1062 writers. It also contains facsimilie images for more than 500 of these screenplays. Most of the scripts have never been published before, and nowhere else are they available online. We have developed the database through arrangements with Warner Bros., Sony, MGM, and with the writers themselves, including Paul Schrader, Lawrence Kasdan, John Sayles, Gus Van Sant, Oliver Stone, and many others. There are scripts that fall into the previously unpublished category, including Bringing up Baby, Drugstore Cowboy, The Lady from Shanghai, Suspicion, Out of the Past, From Here to Eternity, and Notorious. We also have included important published works from Faber & Faber, Newmarket Press, Penguin Putnam, and Vintage Anchor, including The Shawshank Redemption, In the Company of Men, Network, My Own Private Idaho, and The Last Detail. Script formatting is in the conventional screenplay format wherever it exists in the original—the preferred format for scholars who teach screenwriting and for many historians. For the occasional writer who did not conform to screenplay conventions (Gus Van Sant, for example), we stay true to the original. |
| 4. Errata
It is our goal to have no errors in this database. Below are known errors in this release of the database which will be rectified in the next release. The script "Man About Town:
Continuity script, never produced" is not |
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Many individuals and organizations have assisted us in the creation of this database. In particular I'd like to thank Eric Schwartz, Roger Mayer and our friends at Warner Bros. for their early support of the project.
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American Film Scripts Online has been produced with the approval of The Writers Guild Foundation. The foundation has provided us with access to their library, assistance in determining copyright status and advice on how to contact writers. A portion of the revenues generated by AFSO goes to the foundation. |
| 7. Software
Requirements
American Film Scripts Online is optimized to operate with Netscape Navigator Version 1.2 or higher or Microsoft Explorer 7.0 or higher. |
| 8. Technical
Support
You can contact us by:
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| 9. Subscription
and Free Trial Information
is available for one-time purchase of perpetual access, or as an annual subscription. Please contact us at sales@alexanderstreet.com if you wish to begin a subscription or to request a free 30-day trial |
| 11. How
to Contribute Materials or Comments
Our goal is to create a unique archive of Film Scripts according to the editorial criteria expressed above. We welcome contributions from organizations and individuals, especially if you have materials that are unpublished or of unique interest. Submitting materials to our editors is easy and without obligation on your part. If you have collections of substantial value, we may be able to pay you a royalty in return for the rights to use them. |